Does Germany sound like sourdough bread? Like Beethoven? Like the automotive industry? Like all of those things at once? Germany is many things: precise, reliable, high-quality. But also cautious. Bureaucratic. Sometimes it can be a bit stuck in its ways.
So what does Germany sound like?
This was the question we were asked at the German Marketing Day 2026, alongside our colleague Carl-Frank Westermann—better known to many as the ‘Sound Professor’.
It’s a question that cannot be answered with a single note.



In the weeks leading up to German Marketing Day, we surveyed over 70 participants using a questionnaire: How is Germany perceived today? What does it stand for? And what feelings should Germany evoke in people ten years from now?
The answers were clear: Germany is associated with precision, reliability, and engineering excellence. At the same time, however, there was a growing desire for more openness, courage, warmth and an innovative spirit.
Our task, then, was to consider Germany’s future identity.
For this sequel, we developed the creative concept of the arpeggio. The musical structure starts out clearly organised, but then everything begins to move. The arpeggio propels the composition relentlessly forward, ascending and in constant motion. It’s a sound that maintains precision while simultaneously opening up space for curiosity, exploration and growth.
In short, it is a sound that looks ahead.

The idea came to life during the workshop itself, together with the participants.
With them, we defined the instruments, rhythm and soundscape. We moved between analogue and digital sounds, nature and machinery, orchestra and electronics. Contrasts were part of the solution. They are the space where both tension builds and balance is found.
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That very evening, the initial sound concept was presented on the main stage at the German Marketing Day in front of around 500 conference attendees. How did it go?
One room. One sound. Many closed eyes. Many images and ideas in people’s minds.
The whole thing wasn’t a definitive statement, but rather a first step. It did, however, set a clear direction for the future: a sound rooted in Germany’s strengths while remaining open to what lies ahead.
Want to give it a listen?
Note: The Sound of Germany isn’t finished yet. It’s just the beginning.
What do you think: What does Germany sound like?